CODA Museum, Apeldoorn (NL), 12.11.2017–28.1.2018
Kreismuseum Zons, 29.10.2017–21.01.2017
The Dowse Art Museum, Lower Hutt (NZ), 5.8.–3.12.2017
Glenn Adamson is currently Senior Scholar at the Yale Center for British Art. A curator and theorist who works across the fields of design, craft and contemporary art, he was until March 2016 the Director of the Museum of Arts and Design, New York. He has previously been Head of Research at the V&A, and Curator at the Chipstone Foundation in Milwaukee.
is a cultural sociologist
Studies in art history, German studies, sociology and psychology
Research assistant in psychology at the Technische Universität Berlin for the research project ‘Historische Psychologie’ [Historical Psychology]
Guest lecturer and advisor at numerous higher education institutions and academies with cultural-sociological focuses
Specialist subjects: Greek, Egyptian, Celtic and Germanic mythology and their historical influences and effects on European culture to the present day; the history of civilisation of modern peoples; its psychologization, transformations to habits and mind from the Middle Ages to the present as well as introductory seminars to cultural history, sociology and literature
In addition, author of radio plays, features, cultural-sociological essays and stories Publications include: Mythos als Wissenschaft- Wissenschaft als Mythos/ Vom Minotaurus, dem Ariadnefaden und dem Labyrinth/ Faszination Harry Potter – Vom Mythos zur Aufklärung/ Mythenanalytischer Zugang zum Islam/ Nationalsozialismus als fundamentalistische Religion/ Von Gilgamesch zum Replikanten oder Von der Suche nach Unsterblichkeit/ Zur Entstehung der Seele. Seelenkonzeptionen im interkulturellen Vergleich, etc.
Taught in Berlin at seminars, lectures and as advisor: Lessing-Hochschule, the Protestant Academy, Pädagogisches Landesinstitut Brandenburg (PLIB) (Training to teachers of ethics), Institut für katechetischen Dienst (IKD Training for teachers of religion), Berliner Institut für Psychotherapie und Psychoanalyse (BIPP), Freie Universität (guest auditor program) (Seminars and museum guides), …
Co-Author of our publication: THINKINGJEWELLERY
The author and collector (b. 1935) studied architecture and law and alongside his job as a lawyer has devoted himself for decades to the topic of historical cutlery in all its brevity and diversity from pre- and ancient history to the postmodern era.
Through his numerous publications, and numerous lectures (20th Arts and Antiques Fair Hanover, Museum of Applied Art Cologne, Museum für Kunst und Gewerbe Hamburg, Museum of Decorative Arts Berlin, Kestner Museum Hanover, Deutsches Klingenmuseum Solingen), exhibitions (20th Arts and Antiques Fair Hanover, Kunstauktionshaus van Ham/Overstolzengesellschaft Cologne, Museum of Decorative Arts Berlin) and loans from his collection (Museum für Kunst und Gewerbe Hamburg, Museum für Lackkunst Münster, Badisches Landesmuseum Karlsruhe, Castle of Heidelberg - Exhibition ‘Liselotte von der Pfalz/800 Jahre Heidelberg’, Draiflessen Collection/Brenninkmeyer Mettingen), this abundance of all of his activities the author and collector Jochen Amme has become well known in his art-historical specialist subject both among experts and to a wider public.
Author of our publications:
Trygve Ask is Senior Project Manager at Scandinavian Business Seating AS, owner of the office chair brands HÅG, RBM and RH. He is an industrial designer and dr. ing. (PhD) from Oslo School of Architecture and Design (AHO) with the dissertation Good Norwegian Design: The establishment of industrial design as a profession in Norway (Oslo, 2004). He is a visiting lecturer in design history at AHO.
Co-author of our publication: TERJE EKSTRØM
is a visual artist, jeweller and academic.
Born in Berlin, where she was trained as a goldsmith, she has been living in London for more than twenty years.
She obtained her MA in the History and Theory of Modern Art at Chelsea College of Art and Design and her PhD in Fine Art at the University of the Arts London.
Astfalck is now a professor at the Birmingham Institute of Art and Design, Birmingham City University and combines her studio practice, which she exhibits internationally, with teaching as the MA course director in Jewellery, Silversmithing and Related Products.
Her main focus and research interest is in using hermeneutic philosophy, literary theory and other appropriate thought models as tools to investigate narrative structures embedded in body related crafts objects.
In her view, the convergence of crafts, design and fine art practices is conductive to extending the theoretical vocabulary and mapping out new territories where crafts practices contribute to cultural production and dissemination.
Her exhibitions include: ‘Beneath the Skin’, Sheffield Hallam University, 2011
‘The Sting of Passion’, Manchester Arts Galleries, 2009
‘Timelines’, Lucca Preziosa, Museo del Textil, Barcelona, 2008
Co-Author of our publication: THINKINGJEWELLERY
1965 born in Friedrichshafen (DE)
1986-1990 Staatliche Zeichenakademie Hanau, apprenticeship as a goldsmith
1993-1999 Academy of Fine Arts, Munich, professor Otto Künzli
1999 own studio in Munich
Lectures at various schools and institutions in Europe, the United States and Australia. Since 2008 Peter Bauhuis has been teaching at Alchimia, Contemporary Jeweller School, Florence (IT)
Represented in our publications:PETER BAUHUIS
studied Art History and Archaeology at the University of Amsterdam.
Liesbeth den Besten is an independent art historian who is working internationally as a writer, curator, advisor, jury member, exhibition maker, teacher and lecturer in the field of crafts and design, especially contemporary jewellery. She has curated exhibitions for different museums in the Netherlands and abroad. She is chair of the Françoise van den Bosch Foundation, and member of the AJF board. She teaches jewellery history at Sint Lucas Academy in Antwerp.
(Co-)Author of our publications:CAROLINE BROADHEAD
Lawyer, lives in Vienna. For decades he engages himself in jewellery.
Co-Author of our publications:
Art historian, who studied art history, Romance languages and classical archaeology. Her doctoral dissertation (1998) was on the Château Vaux-le-Vicomte.
She has worked at the Cologne Museum of Applied Art since 1998, since 2000 as curator of the fashion and textiles as well as the glass and ceramics collections. Her research concentrates on architecture and the applied arts in the 17th and 18th centuries.
In 1999, she presented an exquisite private faience collection (Fayence aus Europa) in the Kölner Sammler stellen aus series.
Research projects on the history of fashion fruited in 2002 und 2003 in exhibitions accompanied by scholarly publications: Mode der 1950er Jahre – Schenkung Else und Ingeborg Heiliger and in. femme fashion 1780-2004 – Die Modellierung des Weiblichen in der Mode.
In 2005, she curated the exhibition Mode & Design aus Island. On the occasion of the 250th anniversary of the founding of the Ludwigsburg Porcelain Factory in 2008, she edited Glanz des Rokoko – Ludwigsburger Porzellan aus der Sammlung Jansen and curated the special exhibition of the same title.
In 2008, she devoted an exhibition and an accompanying catalogue entitled tex – Textiles von morgen to the work of the weaver Barbara Esser and the architect Wolfgang Horn.
To celebrate the 300th anniversary of the founding of the Meissen Porcelain Factory, in 2010, she curated a special exhibition of Meissen – Barockes Porzellan in Köln and edited the accompanying publication.
Author of our publications:
1957 born in Oslo, Norway
Lives and works in Oslo, Norway
1974–75 Oslo Yrkesskole, Jewellery department, Oslo (N)
1975–79 MTS Vakschool Schonhooven (NL)
1980–83 Engraver at the Koninklijke Fabrieken Posthumus, Amsterdam (NL)
WORKS IN PUBLIC AND PRIVATE COLLECTIONS (A SELECTION)
The Alice and Louis Koch Ring Collection
Danish Museum of Art & Design, Copenhagen (DK)
Design Museum, Helsinki (FIN)
Royal College of Art, London (GB)
Victoria & Albert Museum, London (GB)
Middlesbrough Institute of Modern Art, Middlesbrough (GB)
The Telenor Art Collection, Bergen (N)
West Norway Museum of Applied Art, Bergen (N)
The Art Museum of Southern Norway, Kristiansand (N)
Kunstvisitten, Akershus Kunstnersenter, Lillestrøm (N)
Pilotgalleriet Akershus, Akershus Kunstnersenter, Lillestrøm (N)
David Andersen AS, Oslo (N)
Arts Council Norway, Oslo (N)
The National Museum of Art, Architecture and Design, Oslo (N)
The Art Museum of Northern Norway, Tromsø (N)
National Museum of Decorative Art, Trondheim (N)
Foundation for Norwegian Arts and Crafts, Trondheim (N)
Hoogstede/Derrez, Amsterdam (NL)
Stedelijk Museum, Amsterdam (NL)
SM’s – Stedelijk Museum ’s-Hertogenbosch, ’s-Hertogenbosch (NL)
National Museum, Stockholm (S)
The Rockefeller Foundation, New York (USA)
2012 Torsten and Wanja Söderberg Prize
2010 “Jacob Prize”, Norsk Form Design Award
2004 Norwegian Goldsmiths Design Award
2001 Art and Craft Jubilee Prize
1997 Norwegian Design Award
1996 Norwegian Goldsmiths Design Award
1995 Norwegian Art and Craft Award
1994 Norwegian Goldsmiths Design Award
1992 Norwegian Goldsmiths Design Award
1987 David Andersen Design Award
Artist represented in our publications:SIGURD BRONGER: Laboratorium Mechanum
Michael Brix, art historian and professor at the Munich University of Applied Sciences. Received a doctorate on Baroque festive decoration of the Habsburgs. Long-term engagement in the State Office for the Preservation of Historical Monuments in Bavaria; here he edited the volume ‘Niederbayern’ from the work Handbuch der deutschen Kunstmäler for the publisher Dehio. Numerous other publications include: Historismus in Deutschland; Lübeck und Nürnberg im 19. Jahrhundert; Landschaftsplanung im Altmühltal (Main-Donau-Kanal); Walker Evans: America; Maria Callas. Aufführungen/Performances.
Publications with ARNOLDSCHE Art Publishers: The Baroque Garden, Magic and Origin – André Le Nôtre in Vaux le Vicomte (2004 out of print), Der absolute Garten – André Le Nôtre in Versailles (2009 in stock).
Author of our publications:
Michael Buhrs is an art historian and, since 2007, director of the Museum Villa Stuck in Munich. Exhibitions he has curated include retrospectives of the work of Heribert C. Ottersbach, Christoph Brech and Cornelius Völker. He is currently working with his team on preparing a special Villa Stuck programme to celebrate the 150th anniversary of the birth of Franz von Stuck in 2013.
Editor of our publications:
Senior curator at The National Museum of Art, Architecture and Design in Oslo, Norway, has curated numerous exhibitions, including Hverdagsliv: Everyday Life, MiST – Nordenfjeldske Kunstindustrimuseum, Trondheim (2007); Modus Operandi, Zink Gallery, Lillehammer/ MiST – Nordenfjeldske Kunstindustrimuseum, Trondheim (2009/10); Tendencies – 2010, F-15 Gallery, Moss (2010); and Svein Thingnes – Ceramics 1970–2010, Sogn og Fjordane Art Museum, Førde/ MiST – Nordenfjeldske Kunstindustrimuseum, Trondheim (2010/11).
Author of En ny diskurs for kunsthåndverket – En teori om det nye konseptuelle kunsthåndverket [A New Discourse for Decorative Art – A Theory on Contemporary Conceptual Craft] (Oslo 2007); Modus operandi – hensiktsmessighetens estetikk [Modus Operandi – The Aesthetics of Appropriateness] (Trondheim 2009); and Svein Thingnes – keramikk 1970–2010 [Svein Thingnes – Ceramics 1970–2010] (Sogn og Fjordane 2010).
Editor and co-Author of our publications:
is an international and established jewellery historian, curator of exhibitions, private collections and a scholarly author. Her extensive publications range from Antiquity to the present day.
She studied art history, classical archaeology and Italian philology at the University of East Anglia, Norwich and completed her degree at the Westfälische Wilhelms-Universität, Münster, Germany (1980). Her doctoral thesis was on the Italian Renaissance goldsmith Antonio Gentili da Faenza.
In 1985 she published the jewellery collection of the Museum für Angewandte Kunst, Cologne, in 1991 the Gold Treasure of the Nuestra Senora de la Concepcion and 2000 Finger Rings from the Alice and Louis Koch Collection, Switzerland in 1994.
In the field of contemporary jewellery her publications include a monograph on David Watkins, Artist in Jewellery and as co-author books on Wendy Ramshaw and Friedrich Becker.
From 2004 – 2008 Chadour-Sampson was involved as a consultant curator in the re-designing of the William and Judith Bollinger Jewellery Gallery at the Victoria & Albert Museum, London, where she continues to give courses on jewellery history. She was for many years a tutor at the Royal College of Art, London and continues to be editor of Jewellery Studies the Journal of the Society of Jewellery Historians, London. She is an Associate Member of the Goldsmiths’ Company, London.
(Co-) Author of our publications:
independent art historian, living in Lac-Brome, Quebec, Canada, who specializes in European porcelain; her other interests include culinary history and theater history.
She was the founding curator of the Gardiner Museum of Ceramic Art in Toronto from 1983 to 2004.
She has curated twenty exhibitions and worked on four short fi lms with the Canadian Broadcasting Corporation.
In addition, she has published extensively and lectured internationally, and she enjoys teaching.
She won three awards for her book Harlequin Unmasked: The Commedia dell’Arte and Porcelain Sculpture (2001) and was recently honored by having the Commedia dell’Arte Gallery in the Gardiner Museum named for her in perpetuity.
Meredith was the contributing Editor-in-Chief of the three volume monograph "Fired by Passion: Vienna Baroque Porcelain of Claudius Innocentius Du Paquier", published by Arnoldsche for the Melinda and Paul Sullivan Foundation for the Decorative Arts in September 2009. The English edition was launched at the Metropolitan Museum of Art in New York with a special exhibition, and the German edition launched at the Liechtenstein Museum in Vienna.
Meredith is currently working on a catalogue of the MaryLou Boone collection of French ceramics for the Los Angeles County Museum of Art and the Huntington Library, Art Collections, and Botanical Gardens, San Marino.
Co-Author of our publication: FIRED BY PASSION
Ralf Christofori graduated in art history and philosophy followed by a PHD in art history in 2003. In 2005 he published his dissertation ‘Bild – Modell – Wirklichkeit’ on representation models in contemporary photography. From 1998 to 2000 he worked as curator at the Württembergischer Kunstverein Stuttgart, curating shows like ‘Colour me blind! Painting in Times of Computergames and Comics’ (1999) and ‘Night on Earth’ (2001).
He has been working as journalist and art critic for Frankfurter Allgemeine Zeitung, Der Tagesspiegel (Berlin), as well as Frieze, Kunst-Bulletin, Kunstforum International and Monopol. Over the years he has published several essays on contemporary art and culture.
Ralf Christofori lives and works in Stuttgart.
Co-Author of our publication: VALENTIN MAGARO
Victor & Robert Compaoré
© Pierre Pfiffner, La Chaux-de-Fonds
© Pierre Pfiffner, La Chaux-de-Fonds
Artist of the following publication: AFRICA IN MOTION
the Charles F. Montgomery Professor of American Decorative Arts in the Depart-
ment of the History of Art at Yale University, focuses upon American material culture and decorative arts.
Contributor to our publication: PAUL EVANS
A graduate in Far Eastern Art History from the University of Chicago, Michael R. Cunningham served as curator of Japanese and Korean Art as well as chief curator of Asian Art at The Cleveland Museum of Art before retirement. During that tenure he collaborated on special exhibition projects with the Agency for Cultural Affairs (Bunka-cho), Nara National Museum, and the National Palace Museum of Korea, among other endeavors.
Co-Author of our publication: YASUHISA KOHYAMA: The Art of Ceramics
Born 1960 in Duisburg. Served an apprenticeship as a compositor and offset printer. Trained as a copperplate printer. Studied object and room design in Dortmund.
A collector, exhibition designer and organiser as well as a writer, he conducts in-depth research into modern lighting and furniture design, notably of the Bauhaus school, while investigating modern lifestyle issues and avant-garde phenomena. Bernd Dicke works as a research fellow in the Design Department at the University of Applied Sciences and Arts Dortmund.
was Executive Director and a founding member of the Philadelphia Council of Professional Craftsmen (1967–
1974) and the Founder/Director of Helen Drutt Gallery in Philadelphia (1973–2002), among the first galleries in the United States to champion the modern and contemporary craft movement.
(Co-) Author of our publications:
Trinelise Dysthe is an interior designer (MNIL) and employee of DystheDesign AS. She has worked for Aftenposten as a design critic and columnist, and has over the years contributed numerous articles about design, architecture and the environment to other journals and magazines. She is co-author of the books 'Hjemme i Norge' [At Home in Norway] (1994) and 'Tingenes århundre' [The Century of the Object] (2003).
(Co-) Author of our publication: