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Junger Kunstkreis Fulda

Aufbruch in die Nachkriegsmoderne: Die Druckgrafik

Vonderau Museum Fulda...

Franz X. Höller

Retrospective. Glass.

Handwerksmuseum Deggendorf (DE), 20.11.2018–10.3.2019

Annelies Štrba: Ikonen

Selected works from the past 25 years

Fabian & Claude Walter Gallery, Zurich (CH),...


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Simon Baur / Ilma Rakusa


192 pp., 17 x 24 cm, 100 colour ills. Half-linen cover. English / German.
ISBN: 978-3-89790-537-5
Available on 2018-12-15 | Order now!
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Annelies Štrba (b. 1947) portrays the Blessed Mary not as the mother of God but as an ideal representative of her gender. The photo artist depicts an image of womanhood that elevates erstwhile religious intention to an abstract realm. Digital disengagement and the almost rhapsodic colouration set the stage for a surface on which to project emotions. Štrba embraces the Madonnas, dismissing the transcendental and concentrating on the empathetic accent of the mother-child relationship.
In choosing Maria, Štrba creates the role of woman versed in pain and loss, but also one informed by purity and benevolence. Although these features were originally conceived in the composition and facial expression, the artist defamiliarises them through colour filters and the removal of contours – the dissipating figures lose themselves in their own luminosity.

With support by Pro Helvetia, swiss arts council.

Annelies Štrba is an internationally renowned Swiss artist who has staged numerous solo and group exhibitions worldwide. Arnoldsche has previously published two other books on her work: Frances and the Elves (2005) and my life's dreams (2012).
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